Ritchie Blackmore
Latest about Ritchie Blackmore
Ritchie Blackmore on the time Ian Anderson pranked him at a Jethro Tull concert
By Elizabeth Swann published
The Blackmore's Night guitarist was no stranger to controversy when it came to talking about his fellow six-stringers
Ritchie Blackmore tells how amp-maker Jim Marshall sold him the guitar he used to launch Deep Purple
By Phil Weller published
He also talks of buying his first Strat from Eric Clapton
David Gilmour talks soloing in Guitar Player's guide to the Greatest Guitar Solos of All Time
By Guitar Player Staff published
Behold the genius of Gilmour, Jimmy Page, Jimi Hendrix, Eddie Van Halen, Brian May and many more — as voted by the readers of Guitar Player
Ritchie Blackmore once protested hotel construction by cranking his amps at 3 a.m. – but didn't know that Eric Clapton was in the room next door
By Phil Weller published
In a new interview, the founding Deep Purple guitarist also revealed the tonal tip he gleaned from Slowhand in their first, decidedly less awkward, meeting
Deep Purple guitarist Simon McBride reveals the Ritchie Blackmore lick that's given him the most trouble
By Phil Weller published
The Irish bluesman joined the band in 2022, but is still haunted by one particular slice of Ritchie Blackmore shred
Watch Deep Purple give a very literal performance of Smoke on the Water atop a burning Lake Geneva
By Phil Weller published
The spectacle made full use of a new stage erected over the lake for the Montreux Jazz Festival, with Roger Glover reflecting on the inspiration behind the unmistakable classic
Ritchie Blackmore's first Strat came from Eric Clapton's collection
By Phil Weller published
Blackmore might be a Stratocaster icon now, but if it wasn’t for a bargain deal courtesy of Eric Clapton’s roadie, he may never have been
Ritchie Blackmore on Steve Howe, Jimi Hendrix, classical influences and more
By Martin K. Webb published
Chatting with GP in 1973, at the stratospheric height of Deep Purple's popularity, Blackmore offered insight into his hugely influential style – from his tremolo approach, to his deafening onstage volume
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