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"Having played through Friedman's amps, I'd say the IR-X captures their very useable foundations…" Why you need to check out this new tube amp and pedal combo
By Dave Hunter published
Review: the Friedman IR-X Dual Tube Preamp and IR Pedal
"We started jamming and he stopped playing and looked at me and, serious as can be, he said, ‘Slow the f*** down!’ He meant it": Leslie West's invaluable advice for Jared James Nichols
By Joe Bosso published
Blues rocker Jared James Nichols learnt from the very best. Passing on those invaluable tips, here's his five ways to bring out your own best
"A reminder of just how far ahead of the curve Leo Fender was in 1950": Here's why the Vintera II series guitars sound as good as they look
By Art Thompson published
Reviewed: Vintera II ’50s, Jazzmaster ’60s, Telecaster and ’70s Mustang.
"A guitar that sounds as aggressive as it looks, with four gold-foil pickups wired in series, resulting in a very hot output…" The green monster that is the 1970 Kimberly Deluxe
By Terry Carleton published
More attitude than Godzilla, it's a mean-in-green Japan-made classic
"It was all there in the parlor guitar: that depth and inspirational tone. The only reason guitars got bigger was to compete with barking dogs and juggling children in vaudeville…" The big history of small acoustics
By Jimmy Leslie published
Richard Hoover unravels the history and mystery of parlor guitars
"The Bryn Athyn Cathedral in Pennsylvania called me about a stack of leftover Brazilian rosewood that would have been a living tree in the 1700s": How Santa Cruz's Richard Hoover sources antique materials for his luxurious lutherie
By Jimmy Leslie published
Santa Cruz captain Richard Hoover applied his ultimate artistic expression to his historic Vault Series that made its stunning debut at NAMM 2024 last week.
Eric Clapton's "Beano" Les Paul, George Harrison's 1965 Rickenbacker, Joe Satriani's "Pearly" prototype: Six stolen guitars that are still missing
By Guitar Player Staff published
The stories behind six famous purloined axes.
“I used to fall asleep with it on my chest — it’s literally a one-of-a-kind, unreplaceable keepsake": Randy Bachman on the trauma of having his prized 1957 Gretsch 6120 stolen and the remarkable story of how he was reunited with it
By Richard Bienstock published
Stolen 45 years ago, the tale of the Gretsch's global journey is now the focus of a new documentary.
"Do you know what happened to my lost bass, the one that got pinched?" How Paul McCartney's simple 2019 query over coffee in a studio led to a forensic hunt for the iconic Höfner 500/1 violin bass
By Christopher Scapelliti published
The theft of Paul McCartney’s 1961 Höfner bass is a 50-year-old mystery that spans from Hawkwind to the Who. Here's how the Lost Bass project filled a gap in rock and roll history.
"It’s always going to be random — it’s never going to sound the same. Sometimes it’s great, sometimes it’s not so great": Jazz guitarist Oz Noy on the spontaneity and experimentation of looping and "dancing on the pedals"
By Bill Milkowski published
His new live album Triple Play is a laboratory of sonic experimentation. Oz Noy tells us how fusing modern effects with inspiration from legendary jazz and blues heroes became central to his process
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