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Dr. Z Z-80 Head review
By Dave Hunter published
Chime with oomph, shimmer, bloom, and gutsy edge of breakup are the main tricks in the Z-80's toolbox, and it does them with a gloriously musical and inspiring voice
How Amos Garrett and switching away from a Strat helped Glenn Tilbrook write Squeeze’s Pulling Mussels (From the Shell)
By Joe Bosso published
Though most of Squeeze’s breakthrough US hit came easy for Tilbrook, its solo took the guitarist out of his usual comfort zone
From single-cut stunners to busking Swiss army knifes, a round-up of 2024's hottest acoustic gear
By Jimmy Leslie published
GP gathers a selected swath of shining stars on the acoustic gear horizon, with a primary lens concentrated on guitar
The PRS Custom 24 “Bonni Pink” guitar is a stunning example of Paul Reed Smith's cornerstone model
By Dave Hunter published
Dedicated to a longtime PRS employee, the extremely flamey maple top, distinctive finish, and Paul Reed Smith autograph mark this guitar as a rare – and highly alluring – early PRS by any measure
Klos Grand Cutaway Mini review
By Jimmy Leslie published
Though the carbon fiber look might turn some away, this is a road-ready, seaworthy instrument that delivers fuller sound and better playability than a typical travel guitar
Betty Davis's self-titled debut album is essential funk guitar listening
By Jim Campilongo published
This oft-overlooked, and recently-reissued, album sprang from the early '70s Bay Area music scene, which featured some of the best funk ever played by human hands
“A three-in-one tribute to the best of British tone”: Carr Amplifiers Bel-Ray review
By Dave Hunter published
Steve Carr's latest creation packs the essence of classic British amp tone together with a tremolo that’s out of this world
With a spunky vintage National resonator, Tinsley Ellis has finally gone acoustic
By Gary Graff published
Though he often feels, when called to the stage to start a solo show, “like the executioner has arrived to take me to the gallows,” Ellis's new acoustic album, Naked Truth, finds the veteran guitarist right at home without accompaniment
Marshall Crenshaw looks back on the making of his masterpiece, Field Day
By Christopher Scapelliti published
With the help of producer-of-the-moment Steve Lillywhite, Marshall Crenshaw made the guitar album of his dreams. Critics, however, panned its production, halting his rising career. Four decades later, Field Day is finally being reappraised
Santa Cruz Guitars' Richard Hoover explains the science of vintage wood and guitar tone
By Jimmy Leslie published
Having tracked down some of the most prized ancient wood on the planet, and worked with an “artisanal lumberjack,” Hoover knows a thing or two about vintage wood, and its relationship with tone
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