In this much-adored clip from December 1967, Jimi Hendrix is playing a 1960 Zemaitis 12-string acoustic guitar tuned down two tones to C standard for that deep, Lead Belly-style blues box tone. Though Hendrix is synonymous with the Fender Stratocaster and is known to have used a wide variety of other electric guitar models he was also a masterful acoustic blues player.
The iconic footage was captured at photographer Bruce Fleming’s studio in Covent Garden, London for Peter Neal’s short film Experience aka See My Music Talking which was screened shortly afterwards at the National Film Theatre (now BFI Southbank) in August 1968.
On that day, Hendrix had visited Neal while he was in the process of editing some concert footage and the pair later took a walk through Central London to Fleming’s studio where they planned to film an interview hosted by the guitarist’s bandmates Mitch Mitchell and Noel Redding.
As they were winding down, Neal suggested Hendrix play some acoustic blues using a Zemaitis 12-string that had conveniently just been restrung lefty-style. The boutique flat-top had evidently caught Hendrix’s eye and it didn’t take much persuasion for him to allow the camera to starting rolling.
Despite a touch of red light fever and a false start (“Don’t waste all that film there. Stop it for a second. ‘Cause I was scared to death… Can I just do it one more time?”) Hendrix pulled a spontaneous performance out of the bag which has kept generations of guitarists and music fans transfixed ever since.
Get a copy of Jimi Hendrix’s Starting at Zero: His Own Story here.
“Bobby came in and he went, ‘Da-da-da-da-da-da-da DUH-daaa!’ I said, ‘That’s the only thing you think I should do?’” George Benson tells how one small change turned the song “Breezin’” into an instrumental guitar sensation
“Brent’s accident changed not only him but Mastodon. I feel like that was the last record we did as a band that was complete.” Guitarist Bill Kelliher says "things were never the same" after Crack the Skye. The reasons are complicated
