Hailing from Boston, Massachusetts, Aerosmith formed in the early ‘70s before releasing their eponymous debut long-player in 1973. The Aerosmith album spawned the band's first hit single “Dream On” – a song penned by vocalist Steven Tyler when he was still a teenager.
By the time Aerosmith appeared on NBC’s late-night music show The Midnight Special in ‘74 the “Dream On” lead single had come and gone. And while the band had become well-known in the Boston area as a result they were yet to break nationwide. However, following the single’s rerelease in '75, “Dream On” eventually became a top-ten Billboard Hot 100 hit in '76 – several years after Aerosmith's formation.
Dream on indeed!
This historical clip from '74 captures the young band performing “Dream On” live as they stand poised to make the leap from local starlets to national hard rock heroes. The following year would see Aerosmith release what would become their most successful album to date: Toys in the Attic.
Guitar players will appreciate the P-90 classic rock tones emanating from both guitarist’s amps. While Brad Whitford is playing a single-pickup sunburst Gibson Les Paul Junior, Joe Perry has opted for a dual-pickup Les Paul Special.
Ubiquitous across Gibson’s range of electric guitars when they recommenced production just after the war, the P-90 is an incredibly versatile pickup and is still proving popular today.
P-90s were somewhat eclipsed by the PAF humbucker from the late ‘50s onwards, although they appear to be making a huge comeback in recent years as people are rediscovering their charms.
With a cooking tube amp, P-90s are able to produce a huge range of very musical tones – from chiming cleans to singing leads – via the guitar’s onboard controls, as demonstrated during Whitford and Perry’s amazing performances here.
Browse Aerosmith's back catalog here.
“They were chasing success. I had my own vision, and after 'Strangers in the Night,' I split.” Michael Schenker brought UFO global fame. He had other plans for himself
“Bobby came in and he went, ‘Da-da-da-da-da-da-da DUH-daaa!’ I said, ‘That’s the only thing you think I should do?’” George Benson tells how one small change turned the song “Breezin’” into an instrumental guitar sensation
