Players Joe Bonamassa reveals the one guitar that does it all... and the one he'll never play The guitar aficionado also tells us which guitar he'll never play, and the pedal on his board that he can't do without Ralph McTell scored a hit with his classic “Streets of London.” It only took him 10 years — and three recordings The guitarist says his song is better known in the U.S for a successful cover version Zakk Wylde explains his weirdly effective method for creative guitar playing Of the guitarist’s five guitar tips, the central theme is to do what comes naturally Latest Players Walter Trout is healthier and playing better than ever, but he’s still being dragged down by the world around him By Mark McStea published 27 June 24 On Broken, Trout – with some help from Dee Snider and a ’60s Coral electric sitar – tries to bring hope in a divided world through some of the most fiery licks of his career Blue Öyster Cult's Buck Dharma on the stories behind (Don’t Fear) The Reaper, and other BÖC classics By Gary Graff published 24 June 24 Less cowbell, more songs – the Blue Öyster Cult guitarist goes deep on the writing and recording of some of the band's greatest tunes How Amos Garrett and switching away from a Strat helped Glenn Tilbrook write Squeeze’s Pulling Mussels (From the Shell) By Joe Bosso published 21 June 24 Though most of Squeeze’s breakthrough US hit came easy for Tilbrook, its solo took the guitarist out of his usual comfort zone David Gilmour reflects on Syd Barrett, and Pink Floyd's Live 8 reunion By Mark Ellen published 27 May 24 “The years in what is now considered to be our heyday were 95 percent musically fulfilling and joyous and full of fun and laughter – and I don’t want to let the other five percent color my view of what was a long and fantastic time together” Betty Davis's self-titled debut album is essential funk guitar listening By Jim Campilongo published 17 May 24 This oft-overlooked, and recently-reissued, album sprang from the early '70s Bay Area music scene, which featured some of the best funk ever played by human hands With a spunky vintage National resonator, Tinsley Ellis has finally gone acoustic By Gary Graff published 16 May 24 Though he often feels, when called to the stage to start a solo show, “like the executioner has arrived to take me to the gallows,” Ellis's new acoustic album, Naked Truth, finds the veteran guitarist right at home without accompaniment Marshall Crenshaw looks back on the making of his masterpiece, Field Day By Christopher Scapelliti published 14 May 24 With the help of producer-of-the-moment Steve Lillywhite, Marshall Crenshaw made the guitar album of his dreams. Critics, however, panned its production, halting his rising career. Four decades later, Field Day is finally being reappraised How Guitar Player's Spotlight column made Yngwie Malmsteen a guitar hero overnight By Matt Blackett published 14 May 24 “It wasn’t just the notes in his playing, but the energy and the attitude behind them,” tastemaker and Spotlight author Mike Varney told GP Meet Max Light, the jazz guitarist who loves Coltrane, Miles, and Meshuggah in equal measure By Bill Milkowski published 9 May 24 The Brooklyn-based virtuoso is unafraid to challenge himself – see his mind-boggling re-interpretation of Coltrane’s 26-2, and tunes so challenging he could only get through one take in the studio – but is nonetheless a “serial monogamist” when it comes to his beloved Collings Slowly emerging from a hiatus, Sarah Longfield's ever-impressive playing is “more chill now” By Andrew Daly published 9 May 24 Having recently served as an instructor at Vai Academy 7.0, the genre-blending, Strandberg-wielding innovator is set to take her playing in an entirely new direction 1 2 3 4 5 6 7 8 9 Archives Get The Pick NewsletterAll the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsors LATEST ARTICLES1Roughly the size of a nine-volt battery, the Cicada may be the world’s smallest effect pedal in production2Joe Bonamassa reveals the one guitar that does it all... and the one he'll never play 3Ralph McTell scored a hit with his classic “Streets of London.” It only took him 10 years — and three recordings 4Mary Ford made her name as Les Paul’s singing guitar partner. At long last she’s getting her own signature Gibson Les Paul 5Max out your amp modeling with a massive 75% Black Friday discount on this IK Multimedia Tonex and Amplitube 5 software bundle
Walter Trout is healthier and playing better than ever, but he’s still being dragged down by the world around him By Mark McStea published 27 June 24 On Broken, Trout – with some help from Dee Snider and a ’60s Coral electric sitar – tries to bring hope in a divided world through some of the most fiery licks of his career
Blue Öyster Cult's Buck Dharma on the stories behind (Don’t Fear) The Reaper, and other BÖC classics By Gary Graff published 24 June 24 Less cowbell, more songs – the Blue Öyster Cult guitarist goes deep on the writing and recording of some of the band's greatest tunes
How Amos Garrett and switching away from a Strat helped Glenn Tilbrook write Squeeze’s Pulling Mussels (From the Shell) By Joe Bosso published 21 June 24 Though most of Squeeze’s breakthrough US hit came easy for Tilbrook, its solo took the guitarist out of his usual comfort zone
David Gilmour reflects on Syd Barrett, and Pink Floyd's Live 8 reunion By Mark Ellen published 27 May 24 “The years in what is now considered to be our heyday were 95 percent musically fulfilling and joyous and full of fun and laughter – and I don’t want to let the other five percent color my view of what was a long and fantastic time together”
Betty Davis's self-titled debut album is essential funk guitar listening By Jim Campilongo published 17 May 24 This oft-overlooked, and recently-reissued, album sprang from the early '70s Bay Area music scene, which featured some of the best funk ever played by human hands
With a spunky vintage National resonator, Tinsley Ellis has finally gone acoustic By Gary Graff published 16 May 24 Though he often feels, when called to the stage to start a solo show, “like the executioner has arrived to take me to the gallows,” Ellis's new acoustic album, Naked Truth, finds the veteran guitarist right at home without accompaniment
Marshall Crenshaw looks back on the making of his masterpiece, Field Day By Christopher Scapelliti published 14 May 24 With the help of producer-of-the-moment Steve Lillywhite, Marshall Crenshaw made the guitar album of his dreams. Critics, however, panned its production, halting his rising career. Four decades later, Field Day is finally being reappraised
How Guitar Player's Spotlight column made Yngwie Malmsteen a guitar hero overnight By Matt Blackett published 14 May 24 “It wasn’t just the notes in his playing, but the energy and the attitude behind them,” tastemaker and Spotlight author Mike Varney told GP
Meet Max Light, the jazz guitarist who loves Coltrane, Miles, and Meshuggah in equal measure By Bill Milkowski published 9 May 24 The Brooklyn-based virtuoso is unafraid to challenge himself – see his mind-boggling re-interpretation of Coltrane’s 26-2, and tunes so challenging he could only get through one take in the studio – but is nonetheless a “serial monogamist” when it comes to his beloved Collings
Slowly emerging from a hiatus, Sarah Longfield's ever-impressive playing is “more chill now” By Andrew Daly published 9 May 24 Having recently served as an instructor at Vai Academy 7.0, the genre-blending, Strandberg-wielding innovator is set to take her playing in an entirely new direction
