“Lack of use, plus three bouts of COVID, probably phased out the plectrum for me”: Mark Knopfler tells why he’s ditched the pick in favor of fingerpicking
Read one of our top 20 stories of 2024: The former Dire Straits guitarist told us why he moved away from the plectrum but still regards the pick as “a superior thing”
As 2024 comes to an end, we’re celebrating the year in guitar by highlighting our 20 biggest stories of the year. Guitar Player thanks you for reading and looks forward to bringing you more great stories about guitarists and gear, as well as lessons and gear reviews, in 2025.
Mark Knopfler has long been regarded as one of the premier electric guitar fingerstylists in the game. In recent years, though, Knopfler says, his playing has moved even more in the fingerstyle direction.
Though he still has reverence for the guitar pick, the Dire Straits man says that his move toward fingerstyle has been one of the byproducts of his overall shift in technique in the 2020s.
Speaking to Guitar Player in a recent interview, Knopfler revealed that he's “started using more and more fingerpicking and less and less plectruming.
“I think lack of use, plus three bouts of COVID, probably phased out the plectrum for me. I just kept losing them and would be fingerpicking more – not necessarily fingerpicking better, just more. And it proved to be just a bit more comfortable for me.”
That said, Knopfler – self-effacing throughout his discussion with GP – is on no high horse about his fondness for fingerpicking, even saying that using a pick is inherently better.
“I want to bow to the plectrum and say it’s a superior thing,” Knopfler said. “It’s louder. It’s faster. It’s got a better signal. It’s the best amplifier there is. I didn’t give it up until recently. I was capable of playing things with a plectrum quite a lot, and I would do all the rhythm parts with one all the time.”
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Elsewhere in his chat with GP, Knopfler – to an arguably ridiculous extent – went in further on what he sees as the deficiencies as his playing, saying that his “grip on the guitar has gotten even worse.
“[His] songwriting – it takes you away from concentrating on playing, and it accentuates the simplicity of a lot of my stuff that I want out of the guitar,” the guitarist said.
“I’ve almost become a sort of a half-player in the sense that I only tend to play half the notes that are there that I could play, and my fingering is all wrong. I don’t hold the neck properly; I hold the neck like a plumber holds a hammer, not in a proper, artistic way.”
Gary Graff is an award-winning Detroit-based music journalist and author who writes for a variety of print, online and broadcast outlets. He has written and collaborated on books about Alice Cooper, Neil Young, Bob Seger, Bruce Springsteen and Rock 'n' Roll Myths. He's also the founding editor of the award-winning MusicHound Essential Album Guide series and of the new 501 Essential Albums series. Graff is also a co-founder and co-producer of the annual Detroit Music Awards.
- Jackson MaxwellAssociate Editor, GuitarWorld.com and GuitarPlayer.com
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