Mostly ignored, often hated, England’s the Soft Boys debuted in 1979 with A Can of Bees, an odd art-punk entry that took an edgy approach to late-’60s rock and prog, wrapping it up with witty wordplay and surreal subject matter.
Guitarists and songwriters Robyn Hitchcock and Kimberley Rew gave a less abrasive treatment to their classic-rock influences on its follow-up, 1980’s Underwater Moonlight, resulting in an album that is credited for launching the neo-psychedelic revolution.
With it, Hitchcock and Rew assimilated the ringing guitars of the Beatles and Byrds with Hitchcock’s apparent admiration for Syd Barrett and Dylan-esque absurdity.
A song like “I Wanna Destroy You” filters punk through psychedelia’s jangling guitars and plangent harmonies, while “Queen of Eyes” anticipates the brand of chiming rock that R.E.M. (who cited the Soft Boys’ influence) would bring to U.S. college rock radio within a few years.
On the hypnotic title track, Hitchcock’s and Rew’s syncopated tremolo guitar lines ping off one another, segueing into power-pop and funk on the chorus and even delivering a raga-tinged solo in the break.
Although the group broke up shortly afterward, Underwater Moonlight paved the way for Britain’s neo-psychedelic acid-punk scene as well as shoegaze and dream pop.
Browse the Soft Boys' catalog here.
"Friends were phoning: 'Do you know your song's being played every 20 minutes on TV?’” It took 50 years, but this guitarist's tune has become an inescapable hit. You've probably heard it at least once today
“The best Van Halen album — period.” Lzzy Hale tells us the 10 records that changed her life, including choice picks from Black Sabbath, Tool and Alice Cooper
