Player archive

May 2024

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10 articles

May 27
- “We made suggestions and Roger made suggestions – I didn’t care for Roger’s suggestions. In the end, I thought, ‘We’re Pink Floyd and he’s our guest’”: David Gilmour reflects on Syd Barrett, and Pink Floyd's Live 8 reunion
May 17
- “The extraordinary Larry Graham grooves and basically invents slap bass, while Neal Schon’s wah lines complement the lyrics”: Betty Davis's self-titled debut album is essential funk guitar listening
May 16
- “When I told my father I wanted an acoustic guitar, he was thrilled about getting me an instrument that wouldn’t deafen the family, like my Les Paul and Twin Reverb”: With a spunky vintage National resonator, Tinsley Ellis has finally gone acoustic
May 14
- “The only way I could afford my ’66 Strat was to take the ‘66 neck off and sell it to a guy across the street, then go back to Manny’s and buy an ESP neck”: Marshall Crenshaw looks back on the making of his unsung, under-appreciated masterpiece, Field Day
- “I was on a mission to find the next big guitar hero. When I heard Yngwie, I knew that he was the guy I was looking for”: How Guitar Player's Spotlight column made Yngwie Malmsteen a guitar hero overnight, and sent neoclassical shred into overdrive
May 9
- “Allan Holdsworth is untouchable, unimpeachable... He is just the total king. I would build a shrine to him”: Meet Max Light, the jazz guitarist who loves John Coltrane, Miles Davis, and Meshuggah in equal measure
- “Many young guitarists get discouraged because the comments sections on all platforms are somehow even more toxic than they were five or 10 years ago”: Slowly emerging from a hiatus, Sarah Longfield's ever-impressive playing is “more chill now”
May 8
- “I was the first guy at Studio One, and I played with everybody who came through. Bob Marley was a little boy when he cut his first tune there”: Ska, reggae guitar king Ernest Ranglin on the origins of the ‘skank’ style, and the early Jamaican scene
May 3
- "Conan O’Brien asked me: 'What do you consider your greatest contribution to music?' I said, 'Not singing.' I never had a good voice for singing, so I took it out on the guitar." An epic Duane Eddy interview by Bill Nelson
May 2
- “I was plugged into a souped-up Magnatone amp. It ran at 100 watts, and stayed clean and wouldn’t break up no matter how hard you hit the note”: How Duane Eddy wrote his twanging, game-changing instrumental smash, Rebel Rouser