Player archive

April 2024

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13 articles

April 25
- “If we were recording at Olympic Studios, we would often hear Led Zeppelin. I’d see Jimmy Page sitting there, overdubbing in darkness”: Peter Frampton reveals the stories behind five of his classic tracks
April 23
- “Noel’s process is purely guitar. He’s so in love with the chords, and he was cycling through and through... He wouldn’t stop until he was satisfied”: How Noel Gallagher and Beck helped bring the Black Keys' latest funky full-length, Ohio Players, to life
April 19
- “Sometimes things like that just come together, like a piece of magic. I wrote that song in just five minutes”: Dickey Betts on dueling with Duane Allman, composing Allman Brothers' biggest hit, and the oddball Les Paul/SG hybrid he “personally designed”
- “We all knew it was really good… The guitar playing is just amazing”: How Dickey Betts made “Ramblin’ Man”, triumphed over tragedy and led the Allman Brothers to their greatest success
- “The chord progression in the Highway Star solo – Bm, to a Db, C, and then G – is a Bach progression”: Ritchie Blackmore on Steve Howe, Jimi Hendrix, classical influences and more
April 17
- “My three mentors are B.B. King, Albert King and Jimi Hendrix. I don’t think it does Hendrix any service for me to be compared to him, because he was a genius”: How Robin Trower crafted his blistering tonal triumph, Day of the Eagle
April 16
- “I remember seeing my posters everywhere. It was like, ‘Gary Clark Jr. – the new Hendrix.’ I was like, ‘Man, you’re not even giving me a chance to be anything but a blues or rock-star guitar player’”: Gary Clark Jr. never asked to be a guitar savior
April 11
- “We’re the birthplace of blues, country and rock and roll music, and the guitar is at the core of all of it”: The America at the Crossroads exhibit charts the guitar’s history with instruments owned by Bo Diddley, Muddy Waters, B.B. King, and more
April 10
- “A lot of guitarists don’t consider themselves part of the rhythm section. I could always count on Randy to come up with great rhythm guitar parts”: Rudy Sarzo on the magic of Randy Rhoads' rhythm work, and the tonal quirks that set him apart
April 9
- “One of the beautiful things about Leo is one of the hardest things to do – forget that you’re playing a guitar and just feel like you’re playing music. He embodies that transcendence”: The lessons Julian Lage learned from acoustic master Leo Kottke
April 8
- “The music I might hear, I can’t get on the guitar. It’s a thing of laying around daydreaming... If you pick up your guitar and just try to play, it spoils the whole thing”: Jimi Hendrix on translating his ideas to the guitar, and the joys of club gigs
April 5
- “The best solos have soul, feeling and chops. Players concerned with only playing fast are missing the point...”: With heavy themes and cameos from Alex Skolnick and Vernon Reid, Jane Getter's new album features her most inspired playing to date
April 3
- “My 1939 Martin was in a garbage bag for 15 years prior to me getting it in pieces. The neck was off and the body was crushed”: How unplugging reshaped Julian Lage's electric approach