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February 2023

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21 articles

February 28
- Sting Axe Slinger Jeffrey Lee Campbell’s Top Tips for Guitarists
February 24
- “I Am Always Awake for the Little Things That Can Happen or Appear”: Badi Assad Is Inventive, Unique, Creative, Restless and Always Changing
February 23
- “I Had Been About a Year Sober and I Was on Shaky Ground”: John Hiatt Recalls When Lightning Struck Twice for Him With ‘Bring the Family’ and ‘Slow Turning’
- “People Talk About the Good Old Days, but the Good Days Are Today”: Television Guitarist Richard Lloyd Reflects on His Highly Influential Career in Music
February 22
- Watch Roy Clark’s Mesmerizing Rendition of “Folsom Prison Blues” on ‘The Jimmy Dean Show’
- Listen to Memphis Minnie & Kansas Joe’s 1929 Original “When the Levee Breaks”
- “My Martin and Joey’s Gibson Are on All of Our Records. We Consider Them Members of the Band”: Kenneth Pattengale on the Milk Carton Kids’ Key Acoustics
- “I Always Like to Be Surrounded by Vintage Gear”: Kurt Vile Talks Vintage Guitars, Custom-Made Acoustics, Tweed Fender Amps and Rare Effects
February 21
- “I’m a Blues Guitarist in a Metal Band”: Blues-Rock Aficionado Mark Morton and Hardcore Metalhead Willie Adler Talk Lamb of God’s Unlikely Guitar Pairing
February 14
- “With the Best Record I’ve Ever Made, I’m Filled With Nothing but Gratitude”: Jared James Nichols Is Mighty Stoked About His New, Self-Titled Album
- “This Is Me Rediscovering Myself and Finally Being Myself”: Laura Cox Reaches a New Level With ‘Head Above Water’
- Phil Manzanera’s Top Five Career-Defining Tracks
- “I Can See in People’s Faces That They Really Feel His Presence. I Feel It, Too”: Mike Campbell Talks New Tom Petty and the Heartbreakers Release, ‘Live at the Fillmore 1997’
February 10
- How Jeff Beck Threw Down the Gauntlet in 1968 With ‘Truth’
February 9
- Jeff Beck’s 10 Greatest Collaborations
February 6
- "I've Tried to Get a Modern, Less High-Gain Version of that Natural Sound that Clapton Had in the ’60s": Gary Moore Details His Latter-Day Guitar Rig
February 3
- Listen to the Limitless Guitar Playing Talent of Lenny Breau
- “It Was Pretty Obvious It Was a Song That Was Going to Go a Long Way”: Glenn Tipton Explains How John Lennon’s Home Inspired Judas Priest’s 1980 Classic “Living After Midnight”
February 2
- Listen to Bill Connors’ ‘Of Mist and Melting’ – ECM Jazz at Its Finest
February 1
- "I Still Really Like Playing the Guitar. After All of These Years, It’s Still My Favorite Thing": Marshall Crenshaw Takes a Spin Through His Decades-Long Career
- “If I Can Get That Live-Performance Spark Across in the Studio, I’m Very Happy”: Richard Thompson Talks Songwriting, Self-Production and His Fast-Paced Approach to Recording