John Mayer, like all of us, has spent quite a bit of time cooped up inside over the last couple of months. Recently, he was motivated to take some of that time to offer an extensive, super-informative guitar lesson.
Posted on Instagram Live (and, helpfully, re-posted on YouTube), the lesson found Mayer discussing a wide range of topics - from why you should play guitar while you watch TV to the benefits of letting singers influence your playing.
Most importantly though, Mayer also offered two super-easy tips players can immediately use to improve their own blues guitar soloing and leads.
You can hear him dish out the tips in the video below, starting at 31:21.
The first of Mayer's tips is simple - start low.
“Leave room for the future of the solo,” he said. “I think as a general rule, you want to move up in pitch during your solos, not down. Because I think there’s a sense of growth in the narrative of a solo when you go higher.
“Jerry Garcia was great at that. I think most great guitar players instinctively understand that if you’re going to solo for a while - Doyle Bramhall II is the master of it.”
The second of Mayer's tips is something he considers the “final frontier” of guitar playing, and a lesson he didn't fully learn until his recent time in Dead & Company.
“You also want to define the key change - and this is something Grateful Dead music taught me,” he continues. “When you’re playing a blues solo, the best soloists are defining the chord change. If you really accentuate the chord change, that is really the final frontier of being a guitar player.
“So much of the pentatonic scale is shared over the three chords that you’re playing (when you’re playing a I IV V progression). But if you can really isolate the notes of those chord changes that are unique to those chord changes, then you really are so satisfying to the ear.”
Elsewhere in the video, Mayer talks about his PRS signature model, the Silver Sky, and offers more insights into other musical lessons he's learned during his time in Dead & Company.
"There was a guy walking down the street, singing it at the top of his lungs. I thought, 'Wow — that song can be interpreted a whole different way.' " Warren Haynes explains the lucky break that led to his transformational take on U2's "One"
“It took me months of searching through tens of thousands of photos. And there we had it: George Harrison at home with his collection of guitars.” An unusual guitar is at the center of a mystery about the Beatles' White Album, released 56 years ago today
