Gibson Goes Back to Black with J-45, Hummingbird, and SJ-200 Acoustics
These timeless designs get a stealthy makeover with one of Gibson's oldest flat-top finishes.
Gibson have announced three of their classic flat-top models – the J-45, Hummingbird, and SJ-200 – are now available in a traditional Ebony finish. Although Ebony finishes are a more common sight on electric guitars these days, Gibson's new acoustics are reminiscent of the familiar black finishes used for the L-0, L-00, and HG-00 flat-tops of the 1930s, and the black J-45 made in 1968.
The new J-45 Standard, Hummingbird Standard, and SJ-200 Standard acoustic guitars currently sit alongside several other Ebony finish instruments that form part of Gibson’s Exclusives Collection (including the 70s Explorer, 70s Flying V, ES-335 P-90, SG Standard ’61, Les Paul Standard 50s, and Les Paul Standard 60s).
J-45 Standard
Introduced in 1942, the “workhorse” J-45 is Gibson’s best-selling flat-top. Originally featuring a plain dot neck, mahogany back and sides, and a sunburst finish, the J-45 first appeared as a round-shouldered dreadnought, changing to a square-shouldered design in 1969. This model features the original round-shouldered profile.
- Mahogany back & sides
- Sitka spruce top with hand-scalloped X-bracing
- 24¾” scale mahogany neck
- 12” radius Indian rosewood fingerboard with dot inlays
- Grover Rotomatic tuners
- Rosewood bridge with TUSQ saddle and bridge pins
- LR Baggs VTC under saddle pickup and preamp
- Gloss nitrocellulose Ebony finish
Hummingbird Standard
Developed in 1960, the Hummingbird was Gibson’s first square-shouldered dreadnought and was constructed with a mahogany back and rim as standard, aside from some rare maple examples produced in the early '60s (known colloquially as ‘Humming-Doves’). A Gibson brochure titled New ’61 Gibson Guitars & Amplifiers introduced the Hummingbird as “Gibson’s Sensational New Flat Top Guitar… For those interested in owning one of the finest guitars ever made for voice accompaniment.”
- Mahogany back & sides
- Sitka spruce top with hand-scalloped X-bracing
- 24¾” scale mahogany neck
- 12” radius Indian rosewood fingerboard with double-parallelogram inlays
- Grover Rotomatic tuners
- Rosewood bridge with TUSQ saddle and bridge pins
- LR Baggs VTC under saddle pickup and preamp
- Gloss nitrocellulose Ebony finish
SJ-200 Standard
The SJ-200 began life in 1937 as an "L-5 Spec." flat-top custom ordered by the ‘singing cowboy’ movie star Ray Whitley. In 1938, the “King of the Flat-Tops” entered production as the Super Jumbo and was renamed Super Jumbo 200 the following year (hence SJ-200) as an indication of its $200 retail value. SJ-200s came with rosewood backs and sides until 1947 when Gibson introduced the more familiar and brighter-sounding maple design.
- Flame maple back and sides
- 25½” scale two-piece maple neck
- 12” radius Indian rosewood fingerboard with crown inlays
- Gold Grover Rotomatic tuners
- Moustache rosewood bridge with TUSQ saddle and bridge pins
- LR Baggs Anthem under saddle pickup and preamp
- Gloss nitrocellulose Ebony finish
Visit Gibson's website for more information.
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Rod Brakes is a music journalist with an expertise in guitars. Having spent many years at the coalface as a guitar dealer and tech, Rod's more recent work as a writer covering artists, industry pros and gear includes contributions for leading publications and websites such as Guitarist, Total Guitar, Guitar World, Guitar Player and MusicRadar in addition to specialist music books, blogs and social media. He is also a lifelong musician.
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