Electric Guitars
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“I was playing the Breeders' Divine Hammer, and my whole hand cramped up, I couldn’t move it... It seemed so simple, but it was something I would never play”: J Mascis went electric for his new solo album, but (mostly) without his usual Jazzmaster
By Richard Bienstock published
The Dinosaur Jr. frontman and alt-rock guitar hero will always be associated with Jazzmasters and Marshall stacks, but for his new solo album, What Do We Do Now, Strats, Teles, Vox amps, and even Flying Vs were on the menu instead
“Breathtakingly beautiful and strikingly different from just about everything that has come before”: An homage to the original Paisley Tele, Joe Yanuziello's stunning, Japanese paper-adorned Gold Paisley Washi Paper Deluxe is a guitar like no other
By Dave Hunter published
With a precision-engineered, modded Bigsby, a trio of Curtis Novak’s Guyatone-style GT-V Tokyo Vintage pickups, and a fascinating blend of Telecaster, Les Paul, Guyatone, and Harmony aesthetics, this gorgeous build has incredible looks and equally incredible tone
“I picked up my Fender and thought, ‘How the hell did I ever play this?’”: Jeff Beck once said “there was no turning back” to the Strat – here's why he eventually did just that
By Jackson Maxwell published
Never one to creatively and sonically stand still, Beck – just as he had with the Strat – eventually grew dissatisfied with what he saw as the Les Paul's limitations
Caught by the fuzz: The story of Electro-Harmonix’s tooth-rattling Big Muff, the stompbox guitarists have been falling in love with since the 1960s
By Dave Hunter published
Big Muff fanboys including Jack White, Dave Gilmour and The Edge, discover how Electro-Harmonix’s fuzzbox changed electric guitars forever
“It was waiting patiently for decades, kind of like lost tapes from an artist”: The Espada HH and Espada HH Active are G&L’s latest “dual-humbucker” takes on Leo Fender’s gorgeous long lost late-1960’s blueprints
By Dave Hunter published
Leo Fender’s long-lost 1960's Estrada is back again for 2024 thanks to G&L in two new “dual-humbucker” variations on the 2019 model
Covered in brown Zolotone paint with a Masonite body and orange plywood pickguard, Kay’s 1958 Solo King looks pretty bizarre, but this budget rock axe is a U.S.-made marvel
By Terry Carleton published
Even though it may seem ugly to some, this quirky-looking 1950’s guitar is still collectable and super affordable in 2023
“From its bling to its stereo electronics, Gibson’s ES-355 launched the semihollow format to swank new heights in 1958”: Favored by everyone from B.B. King to Johnny Marr, here's what makes the ES-355 so special
By Dave Hunter published
Gibson's upgrade to the ES-335, the ES-355 was fancy but a little too fussy for some…
The mission: create a better kind of S-style guitar. Joe Knaggs on the inspiration behind his stunning hardtail-bridge-toting Severn Trem SSS
By Art Thompson published
"I had a ’61 Stratocaster and wanted the same style of guitar with a fretboard radius of eight and a half inches, so it wouldn’t fret out when I’d bend strings…" Meet the drool-some "Telecaster-version" yellow Severn Trem SSS
Sweetwater’s epic early Black Friday Sale has up to 70% reductions on guitar gear – these are our top picks
By Chris Corfield published
Get big discounts on Guild Starfire electrics, $300 off Fender Acoustasonic Player Teles, and up to $500 off selected D’Angelico semi-acoustics. Black Friday has officially kicked off at Sweetwater
“It wouldn’t have worked!” Keith Richards on why Jeff Beck wasn’t the right fit for the Rolling Stones, Paul McCartney’s bass carnage – and why his 5-string Telecaster works
By Tom Poak published
In a new interview in the latest Guitar Player, Keith Richards opens up about Charlie Watts, Jeff Beck, playing with McCartney and this theory on why his 5-string Telecaster works
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