“He was a great guitar player. He obviously really knew the instrument.” Joe Satriani says Kurt Cobain was underrated and points out the one thing few have noticed about the Nirvana guitarist
Satch also reveals the difficulty of accommodating the styles and requests of virtuosos as varied as Yngwie Malmsteen and Robert Fripp
The rise of grunge in the early 1990s killed the popularity of guitar virtuosity and technical wankery. Even so, it didn’t stop Joe Satriani from launching his annual G3 tour in 1996 with Steve Vai and Eric Johnson. Over the next decade, the shredfest became celebrated for presenting ever-changing lineups that featured some of the day’s most technically proficient players, like John Petrucci, Yngwie Malmsteen and Robert Fripp.
But as Satriani tells Classic Rock, accommodating the players’ varying musical styles and idiosyncratic requests could be a chore at times. Take Fripp, who insisted on being an unlisted show opener and performing out of sight as attendees entered the venue during G3’s 2004 run.
“You have two extremes,” Satriani tells Classic Rock. “Like, Robert Fripp, who said, ‘No lights on me, I want to sit down and I want to be behind everybody.’ So it was sort of an ‘un-demand’, y’know?”
And then there’s Fripp’s polar opposite, the irrepressible Yngwie Malmsteen, who appeared on the 2003 tour, where he, Satch and Vai jammed on Jimi Hendrix's "Little Wing."
“I mean, if you invite him, you have to just say, 'I know what I’m inviting,' ” Satch concedes. “To Yngwie’s credit, he always plays so great and always puts on the Yngwie Malmsteen show.
“The only problem that I would have is that sometimes he wouldn’t pay attention to other things happening onstage when his bit was done, because he’s just not used to not being the focus of the show. I’d say, ‘When Steve [Vai] is soloing, don’t throw your guitar up in the air right next to him, because he’s got his eyes closed. I don’t want him to get hit in the head.’”
Satch says launching G3 proved problematic simply because no one had ever done something like it before. Some guitarists’ managers saw it as a competition rather than a celebratory jaunt.
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“The vibe back then was to keep the gunslinger guitar players away from each other,” he explains. “The record companies, the management — everyone was like, ‘Don’t stand next to that guy, because he’s your competitor.’
“So we had nice little arguments with them, saying, ‘This is different.’ This was something I felt the audience really wanted to see, because I wanted to see it. When I was 14, if I had a chance to see Jimi Hendrix, Jimmy Page and Jeff Beck together on the same stage, I’d think that was the greatest thing ever. I wouldn’t be thinking like a promoter, I’d be thinking like a fan.“
Considering that grunge essentially killed the whammy-bar wrangling, double-tapping guitar acrobatics that G3 would go on to celebrate, Satch he has no animosity. “I didn’t pay any attention to that, I guess,” he says, noting that his 1992 album, The Extremist, “came out as my love letter to the classic rock era, so it was a throwback record anyway. But when I emerged from the studio I realized, ‘Oh, it’s all Nirvana and Soundgarden.’ ”
And while many technically proficient guitarists love to slag Kurt Cobain’s rudimentary axe-handling skills, Satriani has nothing but praise for the way Nirvana’s frontman used his talents in service of his songs.
“He was a great guitar player,” Satch says. “You go back and look at Nirvana clips, and you realize this guy is playing everything he’s supposed to play. He’s not looking at what he’s playing, so obviously he really knows the instrument. And he’s playing with one of the greatest drummers of all time [Dave Grohl], so that wouldn’t have worked if he was not a good guitarist.”
Satch's appreciation for Cobain shouldn't come as a surprise to those who know him. After all, he, Vai and Guthrie Govan picked Nirvana's "Smells Like Teen Spirit" as one of their show-closing jams on the 2016 G3 tour.
Satriani is coming off a busy year that saw him revive G3 with Vai and Johnson for a limited run of shows, perform Van Halen–era songs with Sammy Hagar on his Best of all Worlds tour, and tour with Vai. The new year looks like it will be just as busy. Last month he and Vai announced they’ll hit the road in June as the SatchVai Band for the Surfing with the Hydra tour. The road stint will be the first time in their nearly 50-year musical careers that the two electric guitar virtuosos have performed as band members. Their tour begins June 13, 2025 in Europe, with more dates to be announced.
In addition, Satch and Vai have been writing new music together, which means a SatchVai Band album can’t be far behind. Stay tuned.
Christopher Scapelliti is editor-in-chief of GuitarPlayer.com and the former editor of Guitar Player, the world’s longest-running guitar magazine, founded in 1967. In his extensive career, he has authored in-depth interviews with such guitarists as Pete Townshend, Slash, Billy Corgan, Jack White, Elvis Costello and Todd Rundgren, and audio professionals including Beatles engineers Geoff Emerick and Ken Scott. He is the co-author of Guitar Aficionado: The Collections: The Most Famous, Rare, and Valuable Guitars in the World, a founding editor of Guitar Aficionado magazine, and a former editor with Guitar World, Guitar for the Practicing Musician and Maximum Guitar. Apart from guitars, he maintains a collection of more than 30 vintage analog synthesizers.
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