Elizabeth Swann is a devoted follower of prog-folk and has reported on the scene from far-flung places around the globe for The Evening Standard, Forbes, HuffPost, Prog, Wired, Popular Mechanics and The New Yorker. She treasures her collection of rare Bert Jansch and John Renbourn reel-to-reel live recordings and souvenir teaspoons collected from her travels through the Appalachians. When she’s not leaning over her Stella 12-string acoustic, she’s probably bent over her workbench with a soldering iron, modding some cheap synthesizer or effect pedal she pulled from a skip. Her favorite hobbies are making herbal wine and delivering sharp comebacks to men who ask if she’s the same Elizabeth Swann from Pirates of the Caribbean. (She is not.)
