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Feb 27, 2010
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We covered Abbey Road's Online Mastering service in the March 2010 issue of Guitar Player. Here, Abbey Road engineer Geoff Pesche talks about his approach to mastering in general, and specifically about mastering GP’s test track,
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Feb 16, 2010
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When I interviewed South African acoustic guitar virtuoso Guy Buttery, he provided more material than I could fit into the print magazine, so some outtakes are posted below. Read the print Artists feature in the May 2010 issue of
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Feb 02, 2010
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Marillion guitarist Steve Rothery specializes in crafting lush sonic atmospheres with layered guitars and effects processing, as exemplified on Ostara [Eagle], the latest release from his other band, the Wishing Tree. His primary
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Dec 08, 2009
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DEBORAH HOLLAND MAY CRAFT polished pop songs with folk, rock,
electronica, and jazz influences, but she adheres to the same “keep it
real” philosophy that drives hip-hop acts to reveal life-changing
experIences in their work.
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Dec 01, 2009
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BYRDS LEGEND ROGER MCGUINN HAS ALWAYS
had a knack for blending the old with the new.
He artfully married traditional folk stylings
with Beatles-approved rock and catapulted
tunes such as “Turn! Turn! Turn!” and “Mr.
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Aug 01, 2009
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“AS A SOLO PERFORMER, THE GUITAR FOR ME IS A
band in a box,” says Irish-Canadian singersongwriter
and fingerstylist Stephen Fearing.
“I’m trying to get as many textures as I can out
of it, so things remain interesting from
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Jan 01, 2009
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FANS OF CONTEMPORARY BLUES AND SOUL
need no introduction to Susan Tedeschi. The
Norwell, Massachusetts, native busted onto
the scene in 1998 with Just Won’t Burn, and
soon thereafter fans all over the states were
exposed to
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Oct 20, 2008
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FINGERSTYLE SUPERSTAR TOMMY EMMANUEL won’t give
himself a break. Despite having to stop touring in 2007 due to
exhaustion, he’s back on the road again, and is booked solid through
mid-2009. At these one-man guitarfests (not to
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Feb 01, 2007
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It’s no secret that the talent, technique, and creative force of
magnificent and awe-inspiring guitarists runs deep. And going deep
doesn’t mean studying only the obvious guitar heroes. You have to get
out on the fringes, and
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